Download PDF The Chiaroscuro Woodcut in Renaissance Italy, by Naoko Takahatake
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The Chiaroscuro Woodcut in Renaissance Italy, by Naoko Takahatake
Download PDF The Chiaroscuro Woodcut in Renaissance Italy, by Naoko Takahatake
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Review
"More than 100 such chiaroscuro prints, including ones after Raphael, Titian and Parmigianino, were on view earlier this year at LACMA...and in the show’s catalog, Ms. Takahatake shows step-by-step how Italian artists made these rich prints. This is an authoritative volume, and a handsome one too, laid out with spare elegance by Green Dragon Office of Los Angeles and printed on caress-inviting matte stock." -The New York Times"Brimming with full-color illustrations of rare and beautiful works, The Chiaroscuro Woodcut in Renaissance Italy offers a fresh and informative interpretations of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance -- making it a critically important and highly recommended addition to personal, professional, community, college, and university libraries." -Midwest Book Review“Takahatake, the curator, offers a sharp surmise in the show’s first-rate catalog:....The book is jam-packed with new, technically oriented scholarship and scientific analysis of the blocks, inks and paper used, which helps untangle the narrative of chiaroscuro printing’s spread.” -Los Angeles Times“The catalogue, beautifully illustrated with full-color images, is an important addition to the literature on printing.” -College Art Association
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About the Author
NAOKO TAKAHATAKE is Associate Curator at the Los Angeles County Museum of Art.
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Product details
Hardcover: 288 pages
Publisher: Prestel (July 17, 2018)
Language: English
ISBN-10: 3791357395
ISBN-13: 978-3791357393
Product Dimensions:
9.8 x 1.3 x 11.3 inches
Shipping Weight: 3.9 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#538,561 in Books (See Top 100 in Books)
A companion book that accompanied a recent National Gallery exhibition in Washington, DC. Fully illustrated with excellent pictures and a highly scholarly text that can also be enjoyed by the general public and individuals with a serious interest in printmaking and Renaissance art in general.
Amazing book on the history of woodcuts.Also it is beautifully illustrated.
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