Download PDF Acting Under the Circumstances: Variations on a Theme of Stanislavski (Career Development Series)
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Acting Under the Circumstances: Variations on a Theme of Stanislavski (Career Development Series)
Download PDF Acting Under the Circumstances: Variations on a Theme of Stanislavski (Career Development Series)
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From Library Journal
This book comes out of the author's own experience as an actor and teacher. As he rereads the works of Konstantin Stanislavksi (the founder of "method" acting), Brestoff (The Camera Smart Actor, LJ 12/94) was struck by Stanislavski's approach, which calls upon actors to "experience the circumstances of a play before speaking any dialogue or trying to characterize." Brestoff has refined and expanded on Stanislavski's ideas, taking the reader through the process followed by two actors as they work on a scene from Ibsen's A Doll's House. Improvisation is a key to visualizing the roles actors are to play. An 18-point process review concludes this well-written and very useful book. Recommended for theater arts collections.AHoward E. Miller, MLS, St. Louis Copyright 1999 Reed Business Information, Inc.
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About the Author
Richard Brestoff is an Assistant Professor of Drama in the Claire Trevor School of the Arts at the University of California, Irvine. He is an actor with credits on Broadway, Off-Broadway, in regional theater, and in film, television and radio. He is the author of The Camera Smart Actor, The Great Acting Teachers and Their Methods, Acting Under the Circumstances, and most recently, The Actor's Wheel of Connection.
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Product details
Series: Career Development Series
Paperback: 183 pages
Publisher: Smith & Kraus; 1 edition (July 1, 1999)
Language: English
ISBN-10: 1575251876
ISBN-13: 978-1575251875
Product Dimensions:
5.5 x 0.5 x 9 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#861,629 in Books (See Top 100 in Books)
What I like about Brestoff's approach is that it focuses on actions or intentions. A lot of beginning, and not so beginning, actors focus on feelings or emotions. But we're called ACTORS, not FEELERS. Brestoff emphasizes playing actions or intentions. Emotions will follow, but they won't be pre-programmed, but organic to the acting moment.It's most useful for actors who are not beginners, but have the basics under their belt.I use this as a suggested 2nd year text at Humber College's School of Creative and Performing Arts in Toronto where I am on the faculty in the Acting for Film and TV program.
Not worth the money I spent on it
Activities explained in a very readable way and really helped me improve my acting!
Great book, Gives you different dimension on acting and character development
it's almost brand new! thank you!
I've taught acting for five years and studied it much longer. The process in this book cuts through all the jargon and intellectual sturm and drang and gets down to the craft of acting and scene preparation. I had been working in a similiar fashion for years as an acting coach and director, but it wasn't until I read Brestoff's approach that my own process was clarified.It has changed the way I teach, direct and write.
Right from the start, please know that I am the author's (slightly older) brother. Despite this, my appreciation for Richard's book is genuine, because I appreciate that actors are professional communicators. And aren't we all in the communication business, whether at home with spouse and kids or in the office? I'm a business litigation attorney, and I have to be able to synthesize and get to the nub of complex factual circumstances, just as Richard teaches actors to do. I've tried using Richard's techniques in what my profession, and they work! So, my view is that no matter what you do, Richard's book is invaluable, because it will provide you with a technique for being insightful about your "circumstances," and getting other people to understand whatever it is you are saying to them.
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